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If she had a car, she would give me a lift.()
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更多“If she had a car, she would give me a lift.()”相关的问题
第1题
"I can't leave her out in this weather", the woman said to herself, so she stopped the car and opened the door.
"Do you want a lift？" she asked. The old woman nodded and climbed into the car. After a while, she said to the old woman, "Have you been waiting for a long time？" The old woman shook her head, "Strange", thought the young woman. She tried again. "Bad weather for the time of year", she said. The old woman nodded. No matter what the young woman said, the hitchhiker(搭便车的人) gave no answer except for a nod of the head or shrug(耸肩).
Then the young woman noticed the hitchhiker's hands, which were large and hairy. Suddenly she realized that the hitchhiker was actually a man. She stopped the car. "I can't see out of the rear-screen", she said. "Would you mind clearing it for me？"
The hitchhiker nodded and opened the door. As soon as the hitchhiker was out of the car, the terrified young woman raced off.
When she got to the next village she pulled up. She noticed that the hitchhiker had left his handbag behind. She picked it up and opened it. She gave a gasp(喘息)—inside the bag was a gun.
The woman stopped the car because ______.
A．the old woman asked her to
B．she recognized the old woman
C．she knew what the woman wanted
D．she wanted to help the old woman out in the bad weather
第2题
"Have you a【64】Bridle ？" said I.
"No, doctor, I have not," said she with a simple expression that did not【65】me a bit. As a doctor you soon get used to innocent (无邪的)【66】.
"Well, you'd better【67】and get one," said I,"【68】. I'm not going to take you."
【69】this she laughed.
【70】she started working at my house. She proved to be very【71】and efficient (高效率的). Of course, she was so good-looking that people who came to my house used to pass a【72】about us. But that didn't matter. They did not dare to hire a pretty girl themselves for【73】of what people would say. But I knew as long as a girl had a man of【74】to look after she would give me 【75】.
(61)
A．an inclusion
B．a conclusion
C．an exception
D．a succession
第4题
A.Shehad difficulty talking to a stranger．
B.Shenoticed a forced smile on his face．
C.Shefound him in trouble too．
D.She feared he might hurt her．
第5题
Jane had promised to give me a timetable for tomorrow. She failed, __________
A. either
B. though
C. but
D. too
第6题
She sat in her seat, her hands gripping its arms, her seat belt already fastened. The air hostess was talking, telling everyone what to do in case of emergency, showing them where their .life-jackets were. The plane was crowded, every seat was full. From her window seat, getting out in a hurry would be impossible, thought Ann. In any case who would want to get out of a plane in mid-air？
The engines began to shake--the noise increased till it was like a great rushing wind. She looked out to see the runway slip past at astonishing speed. She wanted to cry out--to stop the plane before it left the ground, but she knew she was trapped in this great roaring machine. I must scream, she told herself, and put her hands over her eyes.
There was a strange feeling as if she were going up in a lift. The noise died down. Carefully she opened her eyes. Through the window she saw a great carpet of cloud above, so beautiful that she stared in wonder, hardly turning away from the window till they touched down.
Ann thought she would be frightened because ______.
A．she had never flown before
B．she had a fear of being in high places
C．she hadn' t made proper preparations.
D．she was naturally timid
第7题
Rebecca ________ me earlier if she did not like her house she bought last month.
A) told
B) would tell
C) had told
D) would have told
第8题
At the end of the bar, talking on the telephone, was a tall man with a white beard,handsome and imposing.
“It’s Hemingway all right,” I said.
“Why don’t you ask him to have a drink with us？” she said, knowing I wouldn’t dare. What matter if the barman at the Ritz threw me out？ My life was over anyway. “I’ll ask him,” I said.
“No, no, don’t ,” she said. “I was just kidding.”
“I wasn’t,” I said, squaring my shoulders and striding to the bar. Hemingway had just ended his phone call.
“Mr. Hemingway,” I said, “the young lady at the far table and I would like you to join us for a drink, if you have time.”
He looked at me, then across the room at her. Whether it was because I was so obviously on the spot or because she was so pretty-she really did look like a cross between Gene Tierney and Audrey Hepburn, as people often remarked-he said, “I’ve got another phone call to make, and then I’ll join you.”
When I returned to the table, my girl friend asked: “What’d he say？ What’d he say？”
“He said he’d join us for a drink. Maybe he was just kidding.”
A few minutes later, with both of us studiously not looking toward the end of the bar,a shadow loomed over the table and Hemingway sat down. We ordered another round of Bloody Marys.
Hemingway told us he was going down to Spain for the bullfights. He said he had fully recovered from injuries suffered when his small plane had crashed in the African jungle a few months before. He asked me what kind of car I drove, and when I told him I had a Triumph TR-2-a big engine for a small chassis (汽车底盘) -he remarked, “Get us the manifold pressure in one of those and you can really roll.”
We chatted for a few moments. Then he looked at his watch and said: “I’d like to stay longer, but I’ve got a dinner date. Nice talking to you.”
My girl friend took my hand and smiled warmly at me for the first time in weeks.“You’ve got nerve,” she said. I signaled for the check. “Monsieur Hemingway a paye,” the waiter said. Mr. Hemingway had paid for the drinks.
1. When they first saw Hemingway, the latter ().
A. was drinking Bloody Marys
B. was talking to the barman
C. was talking on the phone
D. was walking idly around the room
2. The girl suggested that the author go and ask Hemingway to have a drink with them because ().
A. she was not speaking seriously
B. she was sure Hemingway would come
C. she wanted to talk to Hemingway very much
D. she was sure the author would do as she suggested
3. After the author went to invite Hemingway, the latter ().
A. said he didn’t have time
B. promised to join them later
C. first said no and then said yes
D. went to join them immediately
4. Hemingway talked with the two people about the following except ().
A. the car the author was driving
B. the recovery of his health
C.the place he was going
D. the book he was writing
5. Which of the following is NOT true with Hemingway according to the passage？ ()
A. Hemingway was polite and considerate
B. Hemingway was injured a few months before
C. Hemingway thought people needed pressure in life
D. Hemingway was too busy to find time to talk to common people
第9题
看资料，回答题
The Perfect Essay
A．Looking back on too many years of education， I can identify one truly impossible teacher．Shecared about me， and my intellectual life， even when I didn"t．Her expectations were high——impossibly so．She was an English teacher．She was also my mother．
B．When good students turn in an essay， they dream of their instructor returning it to them in exactly the same condition， save for a single word added in the margin of the final page : "Flawless．" This dream came true for me one afternoon in the ninth grade．Of course， I had heard that genius could show itself at an early age， so I was only slightly taken aback that I had achieved perfection at the tender age of 14．Obviously， I did what any professional writer would do; I hurried off to spread thegood news．I didn"t get very far．The first person I told was my mother．
C．My mother， who is just shy of five feet tall， is normally incredibly soft-spoken， but on the rareoccasion when she got angry， she was terrifying．I am not sure if she was more upset by my hubris（得意忘形） or by the fact that my English teacher had let my ego get so out of hand．In any event，my mother and her red pen showed me how deeply flawed a flawless essay could be．At the time，I am sure she thought she was teaching me about mechanics， transitions （过渡）， structure， style. and voice．But what I learned， and what stuck with me through my time teaching writing at Harvard， was a deeper lesson about the nature of creative criticism．
D．First off， it hurts．Genuine criticism， the type that leaves a lasting mark on you as a writer， also leaves an existential imprint （印记） on you as a person．I have heard people say that a writer should never take criticism personally．I say that we should never listen to these people．
E．Criticism， at its best， is deeply personal， and gets to the heart of why we write the way we do．Theintimate nature of genuine criticism implies something about who is able to give it， namely，someone who knows you well enough to show you how your mental life is getting in the way of good writing．Conveniently， they are also the people who care enough to see you through this painful realization．For me it took the form. of my first， and I hope only， encounter with writer"sblock——I was not able to produce anything for three years．
F．Franz Kafka once said: "Writing is utter solitude （独处）， the descent into the cold abyss （深渊） of oneself．" My mother"s criticism had shown me that Kafka is right about the cold abyss， and when you make the introspective （内省的） descent that writing requires you are not always pleased by what you find．But， in the years that followed， her sustained tutoring suggested that Kafka might be wrong about the solitude．I was lucky enough to find a critic and teacher who was willing to make the journey of writing with me．"It is a thing of no great difficulty，" according to Plutarch， "to raise objections against another man"s speech， it is a very easy matter; but to produce a better in its place is a work extremely troublesome．" I am sure I wrote essays in the later years of high school without my mother"s guidance， but I can"t recall them．What I remember， however， is how she took up the "extremely troublesome" work of ongoing criticism．
G．There are two ways to interpret Plutarch when he suggests that a critic should be able to produce "a better in its place．" In a straightforward sense， he could mean that a critic must be more talented than the artist she critiques （评论）．My mother was well covered on this count．But perhaps
Plutarch is suggesting something slightly different， something a bit closer to Marcus Cicero"s claim that one should "criticize by creation， not by finding fault．" Genuine criticism creates a precious opening for an author to become better on his own terms——a process that is often extremely painful，but also almost always meaningful．
H．My mother said she would help me with my writing， but first I had to help myself．For each assignment， I was to write the best essay I could．Real criticism is not meant to find obvious mistakes， so if she found any——the type I could have found on my own——I had to start from scratch．From scratch．Once the essay was "flawless，" she would take an evening to walk me through myerrors．That was when true criticism， the type that changed me as a person， began．
I．She criticized me when I included little-known references and professional jargon （行话）．She had no patience for brilliant but irrelevant figures of speech．"Writers can"t bluff （虚张声势） their way through ignorance．" That was news to me——I would need to freed another way to structure my daily existence．
J．She trimmed back my flowery language， drew lines through my exclamation marks and argued for the value of restraint in expression．"John，" she almost whispered．I leaned in to hear her:"I can"thear you when you shout at me．" So I stopped shouting and bluffing， and slowly my writingimproved．
K．Somewhere along the way I set aside my hopes of writing that flawless essay．But perhaps I missed something important in my mother"s lessons about creativity and perfection．Perhaps the point of writing the flawless essay was not to give up， but to never willingly finish．Whitman repeatedly reworked "Song of Myself" between 1855 and 1891．Repeatedly．We do our absolute best with apiece of writing， and come as close as we can to the ideal．And， for the time being， we settle．Incritique， however， we are forced to depart， to give up the perfection we thought we had achieved for the chance of being even a little bit better．This is the lesson I took from my mother: If perfection were possible， it would not be motivating．
The author was advised against the improper use of figures of speech．
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第10题
A.mustn’ t have walked
B.wouldn’ t have walked
C.couldn’ t have walked
D.shouldn’ t have walked
第11题
change for my jacket. And I agreed.
Polly had the right background to be the girlfriend of a ()lawyer like myself. She was pretty, well-off, and radiant. Sill, | want to dispense her enough () to make her “well-spoken”.
